On this week’s ‘Mind over Metal’ broadcast, I decided to rock an “egg” theme for this weirdass holiday. The following are vids of the songs that I included in my set, in order of appearance on the show.

Slave Pit, Eraserhead, and Deadite Publishing are proud to present Whargoul, the first novel from an artist who for over a quarter century has provided a consistent level of mayhem that few could match, or even want to.

Rating: 4/5
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GWAR are not necessarily breaking any new barriers in the metal world; they are still consistently good and never fail to make me laugh. However, if you want the real experience, an album isn’t the place to go. They are, and always will be, a live experience. That doesn’t mean their albums can’t impress, though.

GWAR is to receive the honor of “Most Terrible, Vile, Disgusting, Disturbed, yet Revoltingly Awesome Band Ever” from the Harvard Lampoon, America’s oldest institution of humor. Also, read on to learn their first network TV broadcast time, as well as links to watch their exclusive Halloween special!

Jeramie King is back with THE ABSENCE, and INFERNAEON has brought in Adam Sagan from INTO ETERNITY. The tour with GWAR is still on, and the video will be for their METALLICA cover of “Creeping Death”, directed by Jackass collaborator Mike Busey.

Fresh off the amazing experience that was the 2010 GWAR-B-Q, intergalactic snuff-rockers GWAR continue their relentless assault upon all humanity with the announcement of their first run of dates for this fall’s “Bloody Tour of Horror” with The Casualties, Infernaeon and Mobile Deathcamp.

“Bloody Pit of Horror” is due out this fall on Metal Blade Records. And the GWAR-B-Que returns to Richmond!

GWAR fails to nasally violate Dave Matthews or Jay-Z, has to settle for Margaret Cho as the Scumdogs of the Universe decimate Bonnaroo!

Gwar – “Lust In Space” released August 18, 2009 on Metal Blade 25 years after their Antarctic thaw, the masters and creators of our bastard race finally escaped to the nether regions of space…and returned! As a token of their good(?) graces(?), they offer us another album commemorating their exploits for our voracious mass consumption. Their eleventh studio release finds the band reuniting forces with Metal Blade to disseminate their filthy splendor, and though the devastating brutality has thankfully escalated with post-2000 Gwar, this is the best realized album on the whole in over a decade. And oh, do [...read more]